Wednesday, December 28, 2016

A bit of untangling

You know those songs that just get you every time? The ones you never get tired of listening to? For me, Jim Croce’s “Time in a Bottle” is one of those songs. I hardly ever skip it when my iPod cues it up; it’s that beautiful. The melody, the lyrics: “If I could save time in a bottle/The first thing that I’d like to do/Is to save every day/'Til eternity passes away/Just to spend them with you.”

The lyrics are great and really force you to think about life and how you’re spending your time. But there has always been one set of lyrics in this song that I could not get my head around, so I figured I’d parse them here for fun.

Around the middle of the song, Croce starts singing about his wishes and dreams that have and haven’t come true. It is these particular lyrics that lead to some confusion. Croce sings: “If I had a box just for wishes and dreams that had never come true, the box would be empty except for the memory of how they were answered by you.”

Uh, what? You know, one tenet of writing is avoid using negatives, especially double negatives. For example, it’s bad form to write, “That’s not something I don’t like.” Such a sentence causes unnecessary confusion.

Well, if that’s true, then Croce definitely violates some rules with his lyric. I mean, “If I had a box just for wishes and dreams that had never come true? The box would be empty except for the memory of how they were answered by you”?

Every time I've heard this lyric, I've been like, “Wait...what?” But to be honest, it sounds like Croce is trying to convey something beautiful and deep, so let’s see if we can deconstruct the line. OK, so, first off, “If I had a box just for wishes and dreams that had never come true, the box would be empty...”

All right, I think I get that. If Croce had a box that contained both wishes and dreams of his that had never come true this box would be empty. That means all his wishes and dreams have come true. Yippee!  

But wait. In the next breath, he actually says that this box of wishes and dreams that had never come true “would be empty except for the memory of how they were answered by you.”

OK, so in my mind, at the end of the day, all the lyric essentially means is this: In my imagined box of wishes and dreams that have never come true, there is just one “item," and that's the memory of how my wishes and dreams were answered by you. This memory of my wishes and dreams being answered by you would be in this box of "wishes and dreams that never came true" because I don’t have this memory. I wish I did, but I don't.  You never answered, or fulfilled, my wishes and dreams, woman!

Basically, I got all I wanted in life, but I didn’t get what I wanted from you. Crazy, line, huh? I guess the bottom line is this: Avoid writing in the negative.

If I had a box for wishes and dreams that had come true, the box would be nearly filled, but the one thing missing would be the memory of how you answered these wishes and dreams of mine.

Thursday, December 15, 2016

The Bombing of Hamburg

You know, it’s interesting how we sometimes perceive things differently after having learned a little bit.
For example, many times when I would be walking around Hamburg, especially in residential areas, I would see these particular metal plaques on the facades of some red-bricked apartment buildings.
The plaques would read something like, “Destroyed 1943/Rebuilt 1955” or something like that. 
And every time I would see these plaques, I would mostly think to myself, “Yeah, well, of course... Hamburg was bombed very badly during the war. Of course some houses got destroyed.”
But I recently read just how bad this city on the Elbe was actually bombed. A few weeks ago I picked up “Inferno: The Devastation of Hamburg, 1943,” and holy crap.
Usually, most people think that Dresden was the city most devastated by Allied bombings. 
But the number of people killed in the Dresden bombings was somewhere between 18,000 and 25,000. The number of people who died during the Bombing of Hamburg, however, was about 42,000.
Shockingly, though, what makes the Bombing of Hamburg so terrible is not just the high casualty count. See, during the Bombing of Hamburg, which lasted about a week, from July 24 to August 3, 1943, the city was bombed nearly every single day.
But on the night of July 27th, the weather in the city was so dry and the Allied bombing so concentrated and accurate that a firestorm was created. 
A firestorm is a humungous inferno that consumes everything in its path and is beyond human intervention. These blazes, which create and sustain their own wind systems, are so intense and suck up so much oxygen that the currents feeding them are as powerful as hurricane force winds.
As a result, after the Royal Air Force planes dropped their payloads that night, nearly every single building in an 8-square-mile section of the southeastern part of Hamburg burned. 
According to “Inferno,” in this ground-zero zone, fires raged until the horizon in every direction, asphalt streets were turned into “flaming rivers of melted tarmac,” and fuel from destroyed ships spilled into canals, setting them alight, too.  
And the human toll. Thousands of residents who had taken up shelter in their cellars died when smoke and poisonous gases from the fires outside poured into the supposed safe spaces.
Those lucky enough to have decided to try their luck on the streets had to brave blazing temperatures, dodge falling masonry and battle against storm-force winds as they tried to reach the city’s parks, the only refuge. Many people who allowed themselves to be pushed along by the winds, or couldn’t battle against them, were eventually swept into the fire.
As one Hamburger who, with this family who made the “good” decision that night of braving the streets to seek shelter in one of the city’s parks, recounts in the book:
[Once we got out onto the streets], we saw the first people burning, desperately running figures, who suddenly fell, and as we approached, were already dead. [Out on the street, on the way to the park], we had reached the first crossroads. Here we saw a building whose roof had, exceptionally, only just caught fire. In the entrance to this building we took shelter for a few moments from the storm, the heat, the whipping whirl of sparks and the glowing mounds of phosphor . . . Although we had only traveled a short distance, our lips were already badly swollen. Our throats were incredibly dry. Our legs felt weak . . .
 All around, people fled from the burning buildings. Some came out with their clothes already alight; others caught fire outside from the sparks, the blazing heat or the phosphor. Again and again we saw burning people suddenly start to run, and soon after, to fall. After this, terrible cries were to be heard, but they, too, grew rarer. I saw many burning people who ran and collapsed in silence.
Though the raids continued on for a few more nights, with the British even again coming to bomb Hamburg as a thunderstorm raged over the city, on no other night were the bombings as intense as they were on the 27th.
In fact, a year after the war was over, Major Cortez F. Enloe, a surgeon in the United States Air Force who worked on the United States Strategic Bombing Survey, which sought to gauge just how effective the bombings in Germany had been, said that the fire effects of the atomic bomb dropped on Nagasaki "were not nearly as bad as the effects of the Royal Air Force raids on Hamburg on July 27th, 1943." 
So do I take a little more time nowadays to think about what exactly I’m looking at when I see one of those memorial plaques on a redbrick apartment building in the city? 
You bet I do.

Thursday, November 24, 2016


Since last Sunday marked the 1-year anniversary of those awful attacks in Paris, I thought I’d share a small personal story with you. It’s about something that I did on that very night, November 13, 2015, and I think it’s worth sharing.
When the first shots rang out that night, I was in a movie. My girlfriend and I had gone to see Woody Allen’s “Irrational Man” here in Hamburg. The attacks in Paris began around 9:20 p.m. and by that time the movie was about a quarter of the way through.
However, that I can remember exactly where I was when the attacks began is not of any interest. What’s interesting is something that happened before the movie began. That’s what I’d like to talk about.
See, the movie was to start at 8:45 p.m. at the Abaton Theater, which is an independent theater that often plays films in English. The Abaton is located in the Grindel, an area in Hamburg that has nice treelined streets and "altbau" apartments and used to be home to many of the city’s Jews.
Anyway, I arrived at the Abaton early that night, around 8 p.m., which was fine. But what wasn’t cool was that after I paid for the tickets, I noticed I had almost no cash left. I decided to go to the bank, about four blocks away.
It was November, so it was already dark and I remember that the night was cold. I walked the blocks, passing a few small pubs, Middle Eastern eateries and a small independent bookstore among other establishments.
At one point, I came to an area where the sidewalk was very dark, probably because there was scaffolding present. As I was walking by this area, I noticed that to my left there was a homeless person sort of cuddled up against the façade of a building. This person had many blankets on his lap and over his legs and he was just sitting there.
As I passed this person, I felt bad for him. Here was this guy, just sitting there out in the cold and here I was, on my way to a Deutsche Bank to get money because I wanted snacks for the movie.
I felt like I had to do something. I told myself that I would give the guy a little money on the way back. So after I made my withdrawal and started on my return to the theater, I got my wallet out. But just as I did, something strange happened. I decided I wouldn’t just give the guy 50 cents, which was the sum I had planned on giving him. Instead, I would give him five euros.
Now, over the years, I have given people on the street money. It’s usually never more than one euro or one dollar. Maybe there was one time that I gave a person more. But not usually. But for some reason, on this night, I spontaneously decided to give this guy five euros. Something inside me just told me to.
I think the guy said thank you after I deposited the bill in his cup, but I’m not even sure.
Anyway, I went on to see the movie, which was pretty funny, and only learned about the attacks after I got home and turned on my computer. By then, though, it was all over. I think my girlfriend and I stayed up late that night talking about terrorism.
Whatever the case, one thing is for sure. I’m glad that I committed an act of kindness just a few minutes – or half an hour, an hour, whatever it was – before those attacks occurred.
I’m not even exactly sure why I’m glad I committed an act of kindness right before the attacks; I just kind of am. I guess it shows that even though there were people in the world harboring hatred in their hearts that night, there were also people who were filled with feelings of goodwill. 

Sunday, October 16, 2016

Cash Rules Everything Around Me

Sometimes artistry just jumps out at you, when you’re totally not expecting it.

Such was the case today when I was on the way home after having gone on a run.

I was walking on the street that leads to my house listening to my iPod when the song “C.R.E.A.M” by Wu Tang Clan came on.

I had always liked this song and I always knew the lyrics were pretty good – I had always especially liked the second verse, which talks about the hell of having to go through the prison system and being caught up in a vicious circle – but never really appreciated the first verse.

Until today. Listening to the song today on my way home, I realized that, just like the second verse, the first verse of the song is also really good. I especially appreciated the imagery in it. Anyhow, I'm going to reproduce the first verse below. I hope you like it too. 
I grew up on the crime side, the New York Times side
Staying alive was no jive
Had second hands, moms bounced on old man
So then we moved to Shaolin land
A young youth, yo rockin the gold tooth, 'Lo goose
Only way, I begin to G' off was drug loot
And let's start it like this son, rollin with this one
And that one, pullin out gats for fun
But it was just a dream for the teen, who was a fiend
Started smokin woolies at sixteen
And running up in gates, and doing hits for high stakes
Making my way on fire escapes
No question I would speed, for cracks and weed
The combination made my eyes bleed
No question I would flow off, and try to get the dough off
Sticking up white boys in ball courts
My life got no better, same damn 'Lo sweater
Times is rough and tough like leather
Figured out I went the wrong route
So I got with a sick tight clique and went all out
Catchin keys from across seas
Rollin in MPV's, every week we made forty G's
Yo brothas respect mine, or anger the tech nine
Ch-POW! Move from the gate now

Wednesday, June 29, 2016


So I recently have been doing a lot of journaling. And one of the things I have been doing while journaling is free writing. I just write whatever comes into my head, what feels good. And for some reason, a lot of these free writing pieces sort of resemble fiction stories. I mean, wonky fiction stories that maybe reveal a bit about my subconscious, but fiction stories. Below is one. I know fiction stories aren't usually what I publish on this blog, but what the hell. Enjoy.

"Plutonium Blue"

I WANT TO TELL YOU a story about something that happened to me a few years back. It all picks up when I was on Route 25 with my buddy, Jeb. Have you ever driven on Route 25? You must. It's splendid. You pass deserts and grasslands, and if you keep going, deciduous forests. 

Anyway, so there we were, driving along -- Jeb was at the wheel -- when we saw this woman standing on the side of the road with her thumb out, signalling that she wanted to hitchhike. Now, I don't know if you are aware of this, but hitchhiking is illegal in the United States. 

At any rate, there she was, just standing there, and she was really, really cute. I can still picture her vividly. She was wearing cut-off shorts and a halter top and was holding up a white sign with the word "Wyoming" on it. 

When we passed her, I saw Jeb give her the once over. It was like he just wanted to look at her but had no desire to pick her up. So I said to him, "Jeb, aren't you going to even consider picking her up?" Jeb said that doing so would be illegal, which was a response that didn't surprise me, as this was Jeb.

"But there's no one around, man," I said, "and it's got to be about 90 degrees out there." Jeb gave me this sideways glance that said, "Are we really about to do this?"

"Go get her," I said.

IN THE CAR, THE WOMAN WAS all smiles. The first thing I noticed about her, actually, was her smile. Her teeth were incredibly white, like ambitious-newcomer-movie-star white and she was flashing this smile of hers all around. 

The next thing I noticed about her was her smell. Even though she had been out in the desert, a sweet fragrance was still coming off her. Imagine putting your nose up to a rose that has a really long stalk and is exactly at your nose level. Can you feel the soft petals tickling your nose? That's what she smelled like. I'm not sure if she was wearing perfume or maybe somehow she had had a chance to wash her hair somewhere and that was the shampoo, but it was nice.

For the first minute or so that she was in the car, she was quiet. I think she was just getting settled in. But then she said, "You have no idea how grateful I am." As she said this, I was looking at her in my visor mirror, which I had put down after she had gotten in the car. She was still flashing that incredible smile and I was astounded at how incredibly big and nicely shaped her mouth was.

"I've been out there for hours. I got into some trouble with the last car I was in and I just said, 'Let me out.' I thought that that hacienda looking building was a motel, but when I got up to it and looked into the window, everything was dark and cobwebby. They even had a piano in there, but it was all done up with cobwebs, too. I guess the owners needed to leave in a hurry or something."

"What did you and the people who had been giving you a ride fight about?" Jeb asked, turning his head slightly but still keeping his eyes on the road. The woman was sitting in the middle of the back seat.

"Money," she said. "I had told the guys in the car that I would be able to give them a little bit of money after Illinois, but then my account was all dried up and they weren't too happy. But that made me really angry, that they were annoyed, so once I saw that hacienda, I said, 'Fuck this. Just let me out here.'"

"What's your name," Jeb asked.


"Cool," Jeb said, as he switched lanes to pass a semi that we had been stuck behind for a few minutes. 

"Where are you guys going anyway?" Janet asked.

"Well," Jeb said, "again speaking up before I had a chance to, "we wouldn't have picked you up if we weren't going past Wyoming, now would we have?"

I looked back at Janet after Jeb said this and she was rolling her eyes. 

"Why do you have to be a fucking wise ass?" she said. 

Jeb and I looked at each other and then I looked back at Janet. She had this incredibly mad expression on her face. She was grinding her teeth -- I was able to tell because I saw the balls of her jaw working -- and her eyebrows were furrowed.

"Whoa there," Jeb said. "I was just kidding." 

"Oh, OK," Janet said. It was was if a storm had instantly passed. She was smiling again and looking out the window.

"Janet, where are you from?" I asked. 

Janet leaned forward to answer me and the minute she did, I leaned a little bit forward, too, to put some distance between us.

"Tidings, Arkansas," she said. 

Again, Jeb and I look at each other. "Where's that?" I said.

"Oh, it's this little Podunk town about 300 miles south of Little Rock. We don't have anything interesting  there. The whole town is basically one strip, Main Street, which is where we have a Shop and Save, a gas station, and a few pubs, but the Four Horsemen's Inn is the only one that anyone with self respect goes to. Anyway, the town is so small that we call it the tiny dot near Dotson. Dotson is the town over. It's much bigger. They have a pretty nice mall, which they just put up."

There was a silence in the car after Janet described her hometown. I looked out the window to my right and right alongside us I saw a family traveling in a station wagon. The father, or the person who I assumed to be the father, was behind the wheel and was half turned around taking something out of the hand of a boy who was sitting next to a toddler in a car seat. 

"Why Wyoming?" Jeb said, breaking the silence. 

"Why Wyoming?" I looked at my visor mirror and saw that Janet had totally lit up at the question.

"Wyoming is home to the Trust and Light Foundation, and I was selected to be a core recruit," she said with a breathless kind of enthusiasm. 

I turned half around and gave Janet a quizzical look. 

"You guys have never heard of the Trust and Light Foundation?" she said. "What are you guys, fucking stupid?"

All of a sudden, I felt a powerful jerk. Jeb was pulling the car over to the shoulder.

"What's wrong?" Janet said. 

"If you talk to me like that again," Jeb said, "You're going to be walking to Wyoming. We don't want to be talked to like that. Clear?"

"Yeah, crystal," Janet said. "I'm sorry. Sometimes things just cover over me."

"OK," Jeb said, and pulled back into the highway.

"SO WHAT'S THE TRUST AND LIGHT Foundation anyway?" I asked after a few minutes of pure silence had elapsed in the car.

"The Trust and Light Foundation," Janet said, "is pretty much the leading organization in making people feel good." 

"How do you mean," I asked. 

Janet threw her head back and looked at the ceiling of the car. She took a big breath. 

"Did you ever feel lonely among friends? Or did you ever see a relatively young mother or father pushing a baby stroller and feel a pang of longing or of jealousy? Did you ever feel a type of malaise upon waking up? Well, the TALF can get rid of that."

Jeb and I again looked at each other. 

"They do it with Plutonium Blue."

"With Plutonium huh?" Jeb said. 

"With Plutonium Blue. It is a panacea, but crazy enough, the TALF -- or rather, the high priests of the TALF -- are the only people who have it. 

"Are you seriou--" Jeb went to cut her off, but I didn't let him. I asked him to let her finish. 

"Plutonium Blue, which was discovered when the answer to why the dinosaurs died off was found, is the most amazing element the world doesn't know about. How do I describe it...Plutonium Blue is a dream. Plutonium Blue is the sea mist you feel on your face as you stand on the precipice of a beautiful moss covered cliff that's facing the ocean. Plutonium Blue is that feeling you got after departing from the person with whom you had your first kiss. Plutonium Blue is standing in a field on a summer night and looking up at a crescent moon...Plutonium Blue...Plutonium Blue is that feeling you get after just having scored a goal on the opposing team, it's seeing a killer whale breach; it's drinking a perfectly made espresso while sitting at a piazza in Italy while watching well dressed and confident looking people stroll by. Plutonium Blue is so many things. Plutonium Blue is love and it is life."

We were parked.

As Janet was giving her soliloquy, Jeb had actually pulled over to the side of the road. He apparently wanted to focus all of his attention on what Janet was saying, and now there we were, parked on the side of the highway, the car vibrating a tiny bit every time another car passed us very quickly in the slow lane.

"Janet. That's amazing." I looked over at Jeb and I almost lost it. Where his eyes had been were now just sockets filled with blazing blue light. His eyes, they were no longer there!"

I looked back at Janet and I saw that there was a forcefield of blue light clinging to her entire form. The light that surrounded her was the same in blue shade as the light glowing in Jeb's eye sockets, almost like an indigo blue, the shade of blue that bulbs in an electric mosquito zapper burn with.

"Then will you join me?" Janet said.

Jeb opened his door, got out and extended his hand, palm open, to Janet, who was still in the back seat and was smiling at me.

I'LL NEVER FORGET THAT DAY, although many times I've tried. It was the first and last time I saw Janet and it was the last time I saw Jeb.

I always thought that Jeb would phone me one day to tell me now it all went. But I guess they don't have phones where he is.

Yes, I've tried to forget that day. But every time I try not to think about it, I see that blue light. And sometimes, when I'm about to go to sleep and am washing my face in the mirror, I'll see a spark of bright blue light twinkle in my very own eyes. It'll be just a twinkle, but I'll see it all right. 

Sunday, June 19, 2016

All you got

Sometimes giving it all you've got is as good as succeeding.

Such was the case with me recently when I attempted to have a small preview story published in local newspaper.

This story was about an art auction whose proceeds were to go toward helping refugees in Hamburg. The auction was going to take place on Sunday, so the story needed to be in the paper before that day.

However, I had totally forgotten that I wanted to write this story and when I finally did remember, I was absolutely nowhere near a computer

I know it's hard to believe that in today's day and age there was no computer to be found, but it was true.

So I knew what I had to do. I had to turn up my game and try a new approach.

I got out a spiral notebook and started drafting the story. And I mean drafting. After writing the story one time and getting it pretty much down, I rewrote the piece on another piece of paper -- a true second draft.

Then I did a third draft and a fourth. Then, because the newspaper I was pitching the piece to was a German language publication, I translated the piece into German. Then, I asked a friend who is bilingual if she could edit my translation and she did, again by good old pen and ink.

The next day, I was getting ready to type the 250-word piece into my phone and send it when someone told me that there was actually a computer in the place I was staying.

So I went over to where this computer was, but when I got there, lo and behold I discovered that the "public" computer  was a money operated affair and I needed to have change to operate it. So I went to a store nearby, bought a cup of coffee, broke a 20 euro bill, came back to the computer and tapped out the piece.

Later that day, I got an email from the editor to whom I pitched the story. She said she liked the piece and thought she'd be able to squeeze it into the Saturday paper, but could I send a photo?

Because I was under the impression that I still had a tiny bit more time, I emailed my contact insteading of calling him to ask if he had a photo.

But it turned out that I probably should have called my contact. That's because by the time I got the photo, it was the next day, and by the time I got that photo to the editor, she told me I had missed the deadline for the Saturday paper.

As they say in German, "schade" --  "What a shame."

Yes, I was disappointed that the piece wouldn't be published,  but you know what? After the editor gave me the bad news, I still felt all right. I went over in my mind all the things I had done -- all the hoops that I had jumped through to try to get this thing published -- and I felt a sense of pride.

The story is below. I don't know how good your German is, but if you want to plug it into Google translate and kind of see what you get, be my guest.

 Eine Kunst-Auktion zugunsten der Flüchtlingshilfe wird am Sonntag den
19. Juni in Altona stattfinden. Das dadurch gesammelte Geld wird
verendet um syrischen und anderen Flüchtlingen in Hamburg zu helfen.

Die Auktion wird in der St. Petri Gemeinde Stattfinden und werden die
Gemälde von sechs lokalen Künstlern versteigert.

„Nachdem ich von freiwilligen Helfern der Flüchtlinge gehört hatte,
das jeder zusätzliche Euro gebraucht wird, wusste ich, dass ich etwas
machen wollte um zu helfen,“ sagte der Altonaer Künstler Volker Burk
(75), der die Idee zu der Auktion hatte.

Der Stil der Gemälde reicht von abstrakt über surrealistisch bis
minimalistisch. Die Gemälde werden voraussichtlich 150,- bis 200,-
euros pro Stück erzielen.

Die gesamten Erlöse der Auktion werden den Maltesern gespendet, einer
der vielen Organisation die den Flüchtlingen in Hamburg helfen.

Stefanie Langost, eine Mitarbeiterin der Malteser, sagte, dass das
gesammelte Geld aus der Auktion genutzt werden wird, um Kochkurse und
andere Kurse zur Verbesserung der Lebensqualität für rund 350
Flüchtlinge in Osdorf zu finanzieren.

Die Auktion am Sonntag beginnt um 17 Uhr. Die St. Petri Gemeinde liegt
in der Schmarjestraße 33.

Saturday, May 07, 2016


Someone recently asked me what I like about writing. Well, many things, I told him, but one thing in particular is the transmission. I like to write because in doing so you can transmit things – images, sounds, feelings – to people. You can bring people to places they wouldn’t or couldn’t otherwise go. I’m trying to do a little transmitting with this post. Enjoy.

*Look up into the clear blue sky. Do you see that propeller plane with a banner tied to its tail wing? Can you read the banner? Is it an advertisement or is the message personal? 

*Do me a favor and come over here to the kitchen table. See the candle burning in the small jar? Put your palm over the flame. Yes, of course, make sure your palm is at a safe distance from the flame. But do you feel the heat? You notice, of course, how the heat increases when you move your palm closer to the flame. Blow out the candle. Don’t you love how the smoke curls up like that? Look at the wick. Notice how the tip of it is still burning a tiny bit? Blow on it and it will glow a slightly more intense orange for a second.

*Check out this photo of John Lennon. It was taken in Hamburg in 1960. Lennon is 20 years old in it. Look at his leather jacket and rockabilly hairstyle. Look at that knowing expression on his face. Lennon is in “Heiligengeistfeld,” which is basically a massive concrete lot in the middle of Hamburg. The lot is usually used to host carnivals. Anyway, look behind John Lennon. Do you see that blurred figure holding a bass guitar? That’s Stuart Sutcliffe. He was a member of the Silver Beatles, the first incarnation of what would later become the Beatles. Do you see that huge concrete structure behind him, there all the way in the background? That’s a bunker from World War II. The Nazis erected hundreds of bunkers around Hamburg and the one in this picture still stands.

*Get on the bus. No, don’t go up front and show your ticket to the bus driver. Just enter one of the side doors. Don’t sit down. Just grab onto this overhead handle. Are you secure? Good. Now look down at the floor. Do you see that intact cigarette? How did it get there? Just one single cigarette that hasn’t been smoked. Cigarettes don’t come cheap these days. It must have fallen out of someone’s pack or pocket. And now it’s just lying there. What do you think, will someone pick it up and smoke it? My money is on someone will.

*What are you doing? Do you have time to listen to something cool? Come outside. Do you hear those bells? Yeah, there are bells fixed to that building right there on the corner, and every hour they play a tune. Yes, yes, that is “Yesterday.” I know, it sounds a little funky, maybe a little off or something, but that is “Yesterday.” You can hear it, right? I believe in yesterday. Isn’t it crazy that a song written by Paul McCartney in 1966 is played by a bunch of bells that have been affixed to a building in Hamburg and are programmed to play a song every hour? I mean, where else is that song played every day? In how many department stores and supermarkets? In how many elevators? Yes, that absolutely is "Yesterday." I believe in yesterday.

*Do you see that woman holding a baby? She’s walking into the supermarket right now. At first you didn’t notice that she was holding a baby, right? If you were like me, the first thing you noticed was her short shorts and those tattoos. You don’t see? She’s got a five pointed star tattooed on the back of each of her upper thighs. It’s like some kind of rock-n-roll sexy thing, I don’t know. But, yeah, she’s holding a baby. I think it's swaddled in some kind of wrap that's tied to her neck.

*Do you hear that warbling and chirping? Those are the birds that live in the trees that line the street. You don’t see those birds, but they are there, singing and chirping and twittering away. When can you expect to hear their tunes? Around sunrise and sunset.